SCCT 2023-2024 Season

September 22 – October 8

Charlotte’s Web

Adapted by: Joseph Robinette
Based on the book by E.B. White
Directed by Connor Vetter
Run Time: 75 minutes (no intermission)
Single Tickets: $22 – go on sale July 19, 2023

Age Recommendation: 3rd grade and up

Bell Stage 

A pig destined for the butcher block is saved when a loyal friend, the spider, tricks the farmer into believing this pig is extraordinary. Watch the heartwarming story of Wilbur and Charlotte unfold as they navigate change and disruption together. The play praises the beauty of life and the value of friendship during difficult times. E.B. White’s poetic lyricism is skillfully adapted by Joseph Robinette to showcase all of the joy and humor of this beloved classic story.

Giles: “Charlotte’s Web is one of the all-time classics of children’s literature. It is a beautiful piece about friendship, while also allowing students to explore concepts of grief and loss. I’m thrilled to welcome back Connor Vetter (of last season’s Don’t Let the Pigeon Drive the Bus! The Musical!) to helm this project.”

November 17 – December 10

Disney and Cameron Mackintosh’s MARY POPPINS

A musical based on the stories of P.L. Travers and the Walt Disney Film
Directed by Matt Giles
Run Time: 2 hours, 15 minutes (with an intermission)
Single Tickets: $25 – go on sale September 13, 2023

Age Recommendation: All ages

Bell Stage

A spectacle of magic and music, Disney and Cameron Mackintosh’s MARY POPPINS will take audiences of all ages on a delightful adventure celebrating imagination and family. Based on the books by P.L. Travers and the classic Walt Disney film, this stage adaptation garnered critical praise on Broadway. It will bring stunning performances of memorable musical numbers close enough to touch in our intimate but spectacular Bell Stage theatre.

Giles: “So many of us grew up watching Disney’s film adaptation of Mary Poppins, and we are so thrilled to present the stage version. It is a rollicking good time, filled with the classic songs you know, as well as a few new additions. And best of all, it centers around two young protagonists. I know this will be a jolly holiday treat for the entire family.”

October 20 – October 29

Lilly’s Purple Plastic Purse

By Kevin Kling
Based on the books by Kevin Henkes
Directed by Mary Thalassinos
Run Time: 50 minutes (no intermission)
Single Tickets: $12 – go on sale August 16, 2023

Age Recommendation: K4 and up

Younts Stage

Lilly likes EVERYTHING… until her new baby brother arrives, AND Mr. Slinger takes away her musical purple plastic purse! But with some help from her Grammy and BFFs, Lilly discovers that even queens must learn to share the spotlight. Based on Kevin Henkes’ beloved books, Lilly’s Purple Plastic Purse will transport audiences into the colorful world of Lilly’s imagination.  

Giles: “Lilly is one of the most iconic characters in children’s literature in the past 25 years, and Kevin Kling’s adaptation of Henkes’ popular book channels all of Lilly’s spunk and pizzazz into this energic production.” 

January 19 – February 4

The Watsons Go To Birmingham – 1963

Based on the book: “The Watsons Go to Birmingham – 1963” by Christopher Paul Curtis
Adapted by Cheryl L. West
Directed by Ahsha Daniels
Run Time: 70 minutes (no intermission)
Single Tickets: $22 – go on sale November 15, 2023

Age Recommendation: 5th grade and up

Bell Stage

With younger brother Kenny’s birthday coming in just a few days, the Watson family makes a road trip to visit Grandma to get older brother Byron on the straight and narrow. But their plans go awry and both brothers are forced to grow up quickly. Based on the book “The Watsons Go to Birmingham – 1963” by Christopher Paul Curtis, this small ensemble play imagines the effects the 16th Street Baptist Church Bombings might have on a family visiting Birmingham that fateful Sunday. The event plays a pivotal role in bringing the Watson family together to face the monsters in the dark – both real and imagined.

Giles: “Christopher Paul Curtis’ book, The Watsons Go to Birmingham – 1963, is beautifully adapted here by Cheryl West. I remember reading this book as a child in school, and its humor and powerful message impacted me greatly. This story reminds us how, in the midst of great darkness, those close to us can help us find light.”

January 26 – February 4

D is for Dance Party

By Kerry Ferguson
Run Time: 50 minutes (no intermission)
Single Tickets: $12 – go on sale November 29, 2023

Age recommendation: K4 and up

Younts Stage

Following the structure of the alphabet but filled with the creative chaos of a child’s mind, this play explores language, emotion, and some important shared experiences of childhood. Sometimes it’s loud! Sometimes it’s quiet! Sometimes it’s silly; often, it’s not. Always…it’s a massive messy mess. Audiences of all ages will delight in this theatrical collage (with music!) covering little kid milestones from Art to Naps, Birthdays to Fish Funerals, and Secret Clubs to Spooky Hideouts. In 50 minutes, the play’s ensemble cast will adventure into the challenges and charms of being a child — all the way from A-Z!

Giles: “I am very passionate about programming new work and promoting local artists, which is why I asked local playwright Kerry Ferguson, writer of 21-22’s The Missing Moon, to create this exciting new play for SCCT audiences. Kerry’s work is so uplifting and filled with joy, and I can’t wait to see what she has in store for us this season.”

February 23 – March 10

PINKALICIOUS the Musical

Book by Elizabeth Kann & Victoria Kann
Music by John Gregor
Lyrics by John Gregor, Elizabeth Kann & Victoria Kann
Based on the book “Pinkalicious” by Victoria Kann & Elizabeth Kann
Directed by Lauren Imhoff
Run Time: 60 minutes (no intermission)
Single Tickets: $22 – go on sale December 13, 2023

Age Recommendation: K4 and up

Bell Stage

Pinkalicious wishes that the whole world could be pink, but when she comes down with a serious case of Pinkititis, she learns the value of moderation and self-control with the help of her brother Peter… and a few green vegetables. This sweet musical is a funny way to teach younger audiences that there is such a thing as too much of a good thing.

Giles: “I’m delighted to have Lauren Imhoff return to direct PINKALICIOUS the Musical. This show is nonstop charm and fun from start to finish, and it celebrates the fact that each of us is unique. There’s so much heart in this story, and everyone will have a great time.”

April 5 – April 21

Dragons Love Tacos

By Ernie Nolan
Based on the book by Adam Rubin with illustrations by Daniel Salmieri

Published by Penguin Group
Produced by special arrangement with Plays for New Audiences
Directed by Betsy Bisson
Run Time: 45 minutes (no intermission)
Single Tickets: $12 – go on sale February 7, 2024

Age Recommendation: K4 and up

Younts Stage

What’s better than a taco party? Taco-loving dragons at a taco party! A treat for the whole family, this musical version of the award winning children’s book follows a young boy who throws a taco party for dragons, but unfortunately learns the fiery consequences of spicy salsa.

Giles: “One of the most popular books for young children to come about in recent years, Dragons Love Tacos is a funny, taco-filled romp. It’s a story of new friendships that will keep you laughing from start to finish.

April 26 – May 19

 

 

 

Nickelodeon™ THE SPONGEBOB MUSICAL

Based on the series by Stephen Hillenburg
Book by Kyle Jarrow
Original Songs by Yolanda Adams, Steven Tyler and Joe Perry of Aerosmith, Sara Bareilles, Jonathan Coulton, Alex Ebert of Edward Sharpe & The Magnetic Zeros, The Flaming Lips, Lady A, Cyndi Lauper, John Legend, Panic! At the Disco, Plain White T’s, They Might Be Giants, T.I.
And Songs by David Bowie, Tom Kenny & Andy Paley
Additional Lyrics by Jonathan Coulton
Additional Music by Tom Kitt
Musical Production Conceived by Tina Landau
Directed by Hattie Claire Andres
Run Time: 2 hours (with an intermission)
Single Tickets: $25 – go on sale February 21, 2024

Age Recommendation: 3rd grade and up

Bell Stage

The underwater town of Bikini Bottom is in danger in this epic and electric musical based on the popular cartoon SpongeBob SquarePants. Though underestimated as a “simple sponge,” SpongeBob manages to unite the citizens and save the city from impending doom. This wildly entertaining show features songs by famous musical artists and bands that parents will love such as Cyndi Lauper, Panic! At The Disco, and The Flaming Lips to name a few.

Giles: “I couldn’t be more excited to produce this ambitious whale of a musical. Not only does it feature one of the most iconic children’s characters of the past 20 years, it also includes songs from some of the most iconic musicians around. This show is a fun, heartfelt spectacle. Hattie Claire Andres (who works at Seattle Rep) is coming to stage this piece and I can’t wait to watch her bring it to life.”


We invite you to become a 2023-24 SCCT Season Ticket holder through our new Flex Pass Program! Along with savings on ticket prices, Flex Passes provide you with first-priority seating, unlimited free ticket exchanges, discounts to downtown businesses, and more! Click here or image below to learn more.

 

FAQS

TICKETS

Pricing for single tickets: $20 for plays and $25 for musicals in the Bell and $12 in the Younts.

SCCT Flex Pass

Become a Season Ticket Holder with an SCCT Flex Pass! Click here for more information on packages and pricing.

 

SCCT’s Bell Stage

SCCT’s Bell Stage is our 299-seat proscenium stage. This is our most traditional theatre and is home to everything from big musicals to smaller plays. Audience members can expect to see larger-scale productions, but in an environment that is still accessible and where everyone feels close to the action. We know everyone says it, but we mean it when we tell you that there is not a bad seat in the house!

SCCT’s Younts Stage

SCCT’s Younts Stage is our black box stage with flexible seating and performance areas, which means that the space can be configured in a wide variety of ways. You may see a production in the Younts and when you return for the next production, the space could be set-up entirely differently. Productions on this stage tend be smaller and more intimate, captivating audience members in exciting new ways.