South Carolina Children’s Theatre (SCCT) is pleased to announce the hiring of Katie O’Kelly as the organization’s new Managing Director. Ms. O’Kelly will co-lead the organization with SCCT’s Artistic Director, Matt Giles, and will begin work at the theatre this September.
“The Board of Directors is delighted to welcome Katie O’Kelly to South Carolina Children’s Theatre,” says SCCT Board Chair Kathryn Freedman. “In her new role as Managing Director, Katie and Artistic Director Matt Giles will maintain the purpose, quality, and vision our patrons expect while adding their own energy and flair. The Board is confident that together they will build on the creative and transformative foundation established by Debbie Bell.”
Ms. O’Kelly hails from Florence, South Carolina and received her B.A. from Wofford College and her Master of Fine Arts at the California Institute of the Arts. She has worked nationally and internationally as a Production Manager, Producer, and Stage Manager for companies like Seattle Repertory Theatre, Spoleto Festival USA, CalArts Center for New Performance, REDCAT, Triad Stage, Charleston Stage Company, and Wuzhen Theatre Festival in Wuzhen, China. She worked as Producing Associate for the 8-time Tony Award winning Best Musical Hadestown through its pre-Broadway runs in Canada and London, and in its current run on Broadway. Most recently, Ms. O’Kelly was the Director of Operations and Production at Triad Stage in Greensboro, North Carolina, where she managed the business side of the organization and its $2.2M operating budget. Ms. O’Kelly has also served as an Adjunct Professor at University of North Carolina Greensboro teaching Stage Management, an Adjunct Professor of Theatre at Greensboro College teaching courses in Stage Management and Production Management, and the Producing Associate for the Tony Award winning Producer, Dale Franzen.
“I couldn’t be more excited to be joining the team at SCCT as its new Managing Director,” says Ms. O’Kelly. “I am passionate about the mission of the theatre and look forward to building upon SCCT’s 35-year legacy and creating more opportunities for young people and their families to engage with the theatre.”
SCCT’s Board of Directors led an exhaustive nationwide search for the role. “The search committee interviewed candidates from across the country, and we were very pleased to find a South Carolina voice to continue leading the theatre,” says Derek Lewis, SCCT board member and leader of the Managing Director search committee.
This September will start a year-long celebration of SCCT’s 35-year anniversary, and with a brand-new theatre facility in the West End, and Ms. O’Kelly now in place to co-lead the organization, the theatre is poised for its next stage of growth. “I am thrilled to welcome Katie to SCCT and to partner with her in leading the theatre,” says Artistic Director, Matt Giles. “She will be a phenomenal addition and her wide array of experience will be a tremendous asset during this period of exciting growth and change at South Carolina Children’s Theatre.”
Looking back on SCCT’s first 35 years, there is much to celebrate, especially for Debbie Bell who has been with the theatre for 34 years, with 23 of those years as Executive Director. Ms. Bell leaves behind an extraordinary legacy for SCCT and the City of Greenville, and says the future is bright for the organization. “Katie O’Kelly is a rising star in the theatrical field,” says Ms. Bell. “She and Matt will make a stellar team. I look forward to seeing how they will work with the Board and the Staff to grow the theatre to new heights. SCCT is in great hands and I personally can’t wait to see what they do next.”
Founded in 1987 by Ric Standridge, South Carolina Children’s Theatre has impacted the lives of children and families in the Upstate community through theatre, educational classes and workshops, and accessible outreach initiatives. Each year, South Carolina Children’s Theatre produces and performs five high quality, live theatre performances featuring children and adults on its Bell MainStage. The theatre also produces three-four additional shows and other special events on its more intimate Younts 2nd Stage. Throughout the year, SCCT offers professional year-round education in the dramatic arts for children ages 3 to 18, as well as educational outreach to low-income and special needs children. For more information about South Carolina Children’s Theatre, please visit: www.scchildrenstheatre.org.
Director of Development & Marketing
South Carolina Children’s Theatre [email protected]
Address: 153 Augusta Street, Greenville, SC 29601
Office Phone: (864) 203-1164
It’s easy to get the tunes of “The Hills are Alive,” “My Favorite Things,” “Do-re-mi,” and “Edelweiss” stuck in your head, but few people know the history behind the beloved story and music. The Broadway musical – which inspired the 1965 film – was based on the memoir “The Story of the Trapp Family Singers” by the real Maria von Trapp (Kutschera). We hope you enjoy these interesting facts and perhaps use them as a conversation starter before you see the live production at SCCT!
1. The Sound of Music was based on a real family! Maria Kutschera was born in 1905. In 1926, she left her convent to live with the von Trapp family, where she was to tutor one of Captain von Trapp’s children, who was sick at the time. Contrary to the story we all know and love, she wasn’t originally hired as a governess for the family! (The Washington Post)
2. There were actually 10 von Trapp children – not 7! There were 10 children, not 7, in the von Trapp family. Their names were changed, as well. The real von Trapp children were named Rupert, Agathe, Maria, Werner, Hedwig, Johanna, Martina, Rosmarie, Eleonore, and Johannes. (Biography)
3. No “do-re-mi” lessons for the real von Trapp siblings Maria didn’t have to teach the von Trapp siblings how to sing. In fact, they were already accomplished singers and musicians before she arrived! Maria, however, did encourage them to share their talents by touring and performing in competitions. They won first place in the Salzburg Music Festival in 1936! (National Archives)
4. “Edelweiss” isn’t Austrian “Edelweiss” is one of the most recognizable and beloved songs from The Sound of Music. However, it wasn’t an Austrian standard. It was written by Rodgers and Hammerstein for the musical. (Insider)
5. The von Trapps didn’t actually escape to Switzerland via mountain pass In fact, they took a train to Italy! It would have been unsafe for them to cross over the Austrian mountains, as it would have landed them in Hitler’s Germany. (Broadway.com)
6. The Singing Heart According to Broadway.comThe Sound of Music, originally went by a totally different name: The Singing Heart.
7. A Broadway Flop The Sound of Music first opened on Broadway in 1959 and was slammed by critics for being too “saccharine.” The producers had already invested $2 million in advance ticket sales so it was able to stay open! It ran on Broadway for three years with 1,443 performances. (The Sound of Music)
8. Hammerstein’s final hurrah Sadly, The Sound of Music was Rodgers and Hammerstein’s last collaboration. Shortly after the first Broadway premiere, Hammerstein passed away. This was his 8th and final musical. (Broadway.com)
9. 6 Tony Awards and 5 Oscars The Sound of Music on Broadway won six Tony awards, including Best Musical and Best Actress for Mary Martin, who played Maria. The movie adaptation won five Oscars in 1965, including Best Picture. (Broadway.com)
10. The original cast recording was number one on Billboard charts for 16 weeks The original cast recording was recorded a week after the show’s premiere in 1959. It was released by Columbia Records and quickly rose to the top of the Billboard album charts, where it was number one for 16 weeks! (Broadway.com)
With your Sound of Music trivia now in hand, we hope you join us at SCCT to enjoy this classic story. Directed by SCCT Artistic Director Matt Giles and featuring performances by local actors, choreographers, and designers, this production of Sound of Music will be one to remember!
The Sound of Music runs at South Carolina Children’s Theatre from May 6th – 22nd with showtimes at 2:00 pm and 7:00 pm, Tickets are $22. Get your tickets here.
Two islands. One moon. That’s the setting for our next guests. Matt Giles and Kerry Ferguson with the South Carolina Children’s Theatre are here to tell us all about the Spartanburg-based playwright of The Missing Moon.
For their 35th season approaching this fall 2022, South Carolina Children’s Theatre (SCCT) has announced an exciting slate of shows. “This season is full of joy and hope,” says Matt Giles, SCCT’s Artistic Director. “It truly showcases our commitment to be a theatre producing work for multigenerational audiences, and there is something for each and every age group to enjoy. I’m also proud that not only are we introducing our audiences to some new titles, we are also expanding our directing pool. Three of our directors this season will be making their SCCT MainStage directorial debuts. We continue to strive to produce the best work and collaborate with the best artists.”
For its second full season at the theatre’s new home at 153 Augusta Street, across from Gather GVL, Giles is excited to present both beloved classics and newer productions that may not be as familiar to audiences, but are sure to entertain, challenge, and inspire. “Choosing a season is both exhilarating and challenging,” says Giles. “We work hard to balance a variety of factors, with the goal always being to educate and stimulate the minds and imaginations of young people and their families. And I believe this season does just that.”
From its productions to its educational programming, community events, and more, the team at SCCT is dedicated to ensuring that the theatre is a welcoming space where the Greenville community feels comfortable and at home. “It is so important to us that every child, and every family in Greenville feels welcome at SCCT,” says Debbie Bell, Executive Director. “After operating out of warehouses, government buildings, and eventually the Gunter Theatre at the Peace Center for many years, we are now so proud to invite the community into our new home.”
To make the theatre as accessible as possible for all, SCCT will be introducing a “Pay What You Can” performance for each MainStage show in its 22-23 season. The specific dates/times of those shows will be announced at a later date. “We believe everyone should have access to great theatre. Ticket prices can prevent us from engaging with the widest possible audience, so we are working hard to eliminate that barrier.”
Here is South Carolina Children’s Theatre’s 2022-23 season outlined below, along with additional commentary from Giles about each show.
Tickets for the 2022-23 Season will go on sale on the SCCT website on Wednesday, May 25th.
Don’t Let the Pigeon Drive the Bus! The Musical!
Based on the book by Mo Willems Script by Mo Willems and Mr. Warburton Lyrics by Mo Willems Music by Deborah Wicks La Puma Directed by Connor Vetter Production dates: September 23, 2022 – October 2, 2022
With a script written by Mo Willems, the creator of the #1 New York Times best-selling, Caldecott Honor award-winning “Pigeon” picture books, and featuring an innovative mix of songs (and feathers), Don’t Let the Pigeon Drive the Bus! The Musical! is sure to get everyone’s wings flapping.
Giles: “I am a tremendous fan of Mo Willems’ work. His books are beloved by children and parents alike. This piece is an adaptation of one of my favorite picture books, and it features new and innovative songs. I’m also thrilled to bring Connor Vetter here to direct. She is one of my favorite theatre artists working today, and I can’t wait to see what she does with this piece.”
Rodgers & Hammerstein’s Cinderella
Music by Richard Rodgers Lyrics by Oscar Hammerstein II New Book by Douglas Carter Beane Original Book by Oscar Hammerstein II Directed by Matt Giles Production dates: November 18, 2022 – December 11, 2022
This Broadway adaptation of the classic musical features new characters, a hilarious libretto, surprising twists, and an unforgettable score from Rodgers & Hammerstein.
Giles: “While we have technically produced this show before, we haven’t produced this version. The show was given a fresh update in 2013 in preparation for a Broadway run, and the changes are quite lovely. The show feels much more modern, but retains all the great songs from the original version (with a few additions). I’m very much looking forward to bringing this show to our stage, and I think it will be a perfect holiday treat for the whole family.”
The Miraculous Journey of Edward Tulane
Adapted by Dwayne Hartford From the book by Kate DiCamillo Directed by Jay Briggs Production dates: January 27, 2023 – February 5, 2023
Based on Kate DiCamillo’s beautiful novel of the same name, Edward Tulane is the story of an expensive toy rabbit made of china who loses his way home. Edward starts a miraculous journey where he learns what it is to love, what it is to lose that love, and how to find the courage to love again.
Giles: “I am in love with this stunning and heartfelt adaptation of Kate DiCamillo’s book. The show is written in an innovative theatrical style that will engage our audience in new and exciting ways. We are always trying to find stories our audiences may be slightly less familiar with, and ways we can introduce new ways of storytelling. Jay Briggs is one of the most respected directors in the Upstate and I’m thrilled that he will helm this production.”
The Very Hungry Caterpillar Show
Created by Jonathan Rockefeller Based on the books by Eric Carle Directed by Mia Phillips Production dates: March 3, 2023 – March 12, 2023
The critically acclaimed production of The Very Hungry Caterpillar Show created by Jonathan Rockefeller features a menagerie of 75 lovable puppets. The production faithfully adapts four stories by author/illustrator Eric Carle: Brown Bear, Brown Bear, 10 Little Rubber Ducks, The Very Busy Spider and of course, the star of the show – The Very Hungry Caterpillar. The Very Hungry Caterpillar has delighted generations of readers since it was first published in 1969 selling more than 48 million copies worldwide. Brown Bear, Brown Bear – now celebrating 50 years – has sold more than 18.2 million copies.
Giles: “Who hasn’t read Eric Carle’s charming stories? This show will delight audiences of all ages, but particularly the youngest among us. We believe it is crucial to program work for the very young on our MainStage, and this will serve as a brilliant introduction to live theatre. And it will be wonderful to have Mia Phillips’ directing work back on our stage.”
Once on This Island
Book by Lynn Ahrens Music by Stephen Flaherty Lyrics by Lynn Ahrens Directed by Ahsha Daniels Dates: May 5, 2023 – May 21, 2023
From the Tony Award-winning songwriting team of Lynn Ahrens and Stephen Flaherty (Seussical, Ragtime), comes the Olivier Award-winning Once on This Island. This highly original and theatrical Caribbean adaptation of the popular fairy tale, The Little Mermaid, tells the story of one small girl who finds love in a world of prejudice.
Giles: “This is a gorgeous story of love and loss. It was recently revived on Broadway and won a Tony Award in the process. It is unlike anything we have ever produced at SCCT, and I am so very excited to welcome director Ahsha Daniels to help us bring this story to life. I cannot wait to share this piece with our audiences.”
Tickets for Rodgers and Hammerstein’s Cinderella and Once On This Island are $25. Tickets for all other shows are $20.
Founded in 1987, South Carolina Children’s Theatre has impacted the lives of children and families in the Upstate community through theatre, educational classes and workshops, and accessible outreach initiatives. Each year, South Carolina Children’s Theatre produces and performs five high quality, live theatre performances featuring children and adults on its Bell MainStage. The theatre also produces three-four additional shows and other special events on its more intimate Younts 2nd Stage. Throughout the year, SCCT offers professional year-round education in the dramatic arts for children ages 3 to 18, as well as educational outreach to low-income and special needs children. For more information about South Carolina Children’s Theatre, please visit: www.scchildrenstheatre.org
Contact info: Kate Fowler
Director of Development & Marketing
South Carolina Children’s Theatre [email protected]
Address: 153 Augusta Street, Greenville, SC 29601
Office Phone: (864) 203-1164
South Carolina Children’s Theatre (SCCT) announced today that after 34 years of service, Debbie Bell, Executive Director, has decided to retire. The Board of Directors of South Carolina Children’s Theatre has organized a search committee to find Ms. Bell’s replacement, who will serve in the role of Managing Director. The organization will adopt a new management structure, with a Managing Director co-leading SCCT with Artistic Director, Matt Giles. Ms. Bell will stay on as Executive Director until Fall 2022, when the new Managing Director is expected to be in place.
“The impact of Debbie’s leadership and her legacy at SCCT cannot be overstated,” says Kathryn Freedman, Board Chair of SCCT. “She has spent her career ensuring all children of the Upstate are exposed to the benefits the dramatic and musical arts provide, and she has created a culture of empowerment and belonging. While saddened by Debbie’s retirement, the SCCT Board of Directors and supporting staff are confident that our new management structure, with Matt Giles continuing as co-leader of the organization, will facilitate a smooth transition. Thanks to the strong foundation Debbie has built, SCCT will continue to thrive as we look toward our future.”
Before joining the team at South Carolina Children’s Theatre, Ms. Bell worked in the banking industry, at IBM, and at Coldwell Banker Caine. Her first interactions with SCCT were as a parent volunteer. “My children were performing in productions and I simply fell in love with it. I started volunteering and realized my heart was here,” says Bell. By 1989, Ms. Bell was promoted from volunteer to Business Manager of SCCT. In 1999, she was promoted to Executive Director, and thus began a career that has now impacted generations of children and families in the Upstate of South Carolina.
While SCCT has been forced to limit capacity and/or put certain programs on hold over the past two years due to the COVID-19 pandemic, pre-COVID, the theatre consistently served more than 50,000 children and families per year through its theatrical productions, year-round education classes, and community outreach programs. “We have grown to be so much more than a performance theatre,” says Ms. Bell. “Through our Conservatory for Theatre Arts, we provide professional educational programs for children ages 3-18. In these classes, we teach and help students develop performance, communication, cooperation, self-discipline, and critical thinking skills. Simultaneously, our community outreach programs help us make sure that even our most vulnerable neighbors can enjoy, and benefit, from our theatrical and educational programming as well.”
While the average tenure of an Executive Director is 6 years, Ms. Bell’s 23-year tenure as Executive Director (and 34 years of total service) at SCCT has made her an icon of the Greenville arts community, where she has built hundreds of partnerships that have helped mold the theatre into what it is today. Her close friend and colleague, Alan Ethridge, Executive Director of the Metropolitan Arts Council, says of Ms. Bell’s legacy: “For the last 23 years, Debbie Bell has been an amazing leader and trailblazer in Greenville’s arts community. Debbie has played a significant role in ensuring that the next generation of actors, theatre technicians, donors, volunteers, and supporters are being cultivated to take our thriving Greenville arts community to new heights in the future.”
Under Ms. Bell’s leadership, South Carolina Children’s Theatre has won numerous awards and distinctions for its high standards of artistic leadership and excellence, including the SC Secretary of State Angel Award (2003), the SCTA Founder’s Award (2010), the SCTA Theatre of Distinction Award (2018), and the Community Foundation of Greenville’s Leadership in Arts Award (2020).
While Ms. Bell’s work at SCCT has made an indelible and positive impact on hundreds of thousands of children and parents, she has also made an indelible and positive impact on the City of Greenville, as she leaves behind a brand new, state-of-the-art theatre facility that will allow South Carolina Children’s Theatre to flourish for generations to come. After many years of operating out of warehouses, government buildings, and eventually the Gunter Theatre at the Peace Center, in 2010, the theatre was given an unexpected and remarkable gift. Local arts patron and friend of Ms. Bell, Ms. Josephine Cureton, bequeathed her home and plot of land in downtown Greenville to South Carolina Children’s Theatre, under one condition: the organization would need to raise funding to erect a theatre of its own. Never one to shy from a challenge, between 2014-2020, Ms. Bell worked with a team of community volunteers on a capital campaign that raised over $14 million for the new building from private and corporate donors, foundations, the City, the County, and the State. “Debbie was the driving force at the helm of the capital campaign,” says Minor Shaw, co-chair of SCCT’s capital campaign. “Her vision, passion, and commitment to SCCT were essential in making the campaign a success and ensuring a strong future for South Carolina Children’s Theatre!”
In collaboration with local architects Craig Gaulden Davis, and the team at Triangle Construction, the new South Carolina Children’s Theatre was completed April 2020 and stands at 153 Augusta Street, across from Gather GVL. And while the COVID-19 pandemic thwarted plans for a grand opening, SCCT plans to have a 35-year anniversary “homecoming celebration” this fall 2022, in conjunction with Ms. Bell’s retirement. “As conditions become safer, we are excited to fling open our doors and welcome the community into our theatre in a big way this fall. It is important to us that the community feels at home at SCCT now, and into the future,” says Bell.
With the new building in place, SCCT is poised for its next stages of growth. Ms. Bell couldn’t be more excited about the vision of Artistic Director, Matt Giles. “Matt is a true visionary,” says Bell. “He is a skilled collaborator, bridge builder, and champion for the critical role SCCT plays in the Greenville arts community. It has been an honor to work alongside him. As the principal steward of SCCT’s mission and vision, Matt works tirelessly to create a culture that attracts talented artists and the resources necessary to produce work at an increasingly impressive level of artistic achievement. The organization is in good hands,” says Bell.
Working in partnership over the past 3 years, and navigating the complications of the COVID-19 pandemic together, Ms. Bell and Mr. Giles were a formidable team. “Debbie Bell is a force,” says Mr. Giles. “I have had the opportunity to work with theatre leaders from across the country and have rarely met a leader with her drive, compassion, and vision. She is an icon in this community and it has been an absolute joy collaborating with her for the past two years. Because of her tireless efforts, SCCT is set up for success for many years to come. I will dearly miss working alongside her, but I am so appreciative of all that she has done for this organization and this community.”
In addition to her role as Executive Director at SCCT, Ms. Bell has served on numerous community Boards throughout the years, including: PTAs of several Greenville County Schools, Converse College Alumni Board, Downtown Soccer Association, West End Association Board, Caine Halter YMCA Board, YMCA Metro Board, and the Non-profit Alliance Steering Committee. She was co-founder of the Caine Halter Lungs for Life 5K, the precursor to Run4Life, where she continues to be involved. She currently serves on the Metropolitan Arts Council Board as head of the Cultural Coalition. In recognition of her contributions to the Greenville community, Ms. Bell received the Metropolitan Arts Council (MAC) Visionary Award (2013), and has also been named to Greenville Business Magazine’s “50 Most Influential 2019” and “Most Influential Hall of Fame 2020.”
On top of her many accolades, accomplishments, and contributions to the arts community of the City of Greenville, perhaps the most important part of Ms. Bell’s legacy remains in the lasting relationships she has built as a leader, a mentor, and a friend to so many – inspiring an entire generation of Greenvillians to appreciate and grow from the arts. Ms. Bell’s deep passion and loyalty to serving children and families will always be a part of South Carolina Children’s Theatre. “I am so grateful to have had the opportunity to lead this amazing organization, and I can’t wait to see how the theatre will grow, evolve, and continue to positively impact the community in the years to come. The future is bright for South Carolina Children’s Theatre.”
Founded in 1987 by Ric Standridge, South Carolina Children’s Theatre has impacted the lives of children and families in the Upstate community through theatre, educational classes and workshops, and accessible outreach initiatives. Each year, South Carolina Children’s Theatre produces and performs five high quality, live theatre performances featuring children and adults on its Bell MainStage. The theatre also produces three-four additional shows and other special events on its more intimate Younts 2nd Stage. Throughout the year, SCCT offers professional year-round education in the dramatic arts for children ages 3 to 18, as well as educational outreach to low-income and special needs children. For more information about South Carolina Children’s Theatre, please visit: www.scchildrenstheatre.org
Director of Development & Marketing
South Carolina Children’s Theatre [email protected]
Address: 153 Augusta Street, Greenville, SC 29601
Office Phone: (864) 203-1164
“Why do you sit there like that?” Cat asks. “I know it is wet and the sun is not sunny, but we can have lots of good fun that is funny!”
Playful, encouraging, and slightly mischievous, Traysie Amick exemplifies her starring role as the Cat in Dr. Seuss’s The Cat in the Hat, which returns to the stage at South Carolina Children’s Theatre March 4-13. Amick has been playing Cat since 1999 when she first joined the team at SCCT. Since then, she has revived the role in 20 Character Breakfasts, the 1st Annual Characters in Concert, and SCCT’s 2015 production. It’s safe to say, Amick balances lots of hats, and not just the classic red-and-white-striped one! Simultaneously, Amick teaches and mentors hundreds of students per year through SCCT’s Theatre Conservatory and Outreach programs. She personifies the Cat’s best qualities onstage and off.
Amick admits that she does her best work in this show. Her love for her students emanates throughout her performance. Years of photographs prove that. “I met so many of my now-students at the Character Breakfast as the Cat in the Hat. Parents today will bring cherished pictures of the tiny version of their child with me as Cat. Though the makeup looks a little different now over 20 years,” Amick quips.
Amick feels a deep level of responsibility for the upcoming production of The Cat in the Hat. Two key artistic creatives involved in the last 2015 production, SCCT Teaching Artist Jason Bryant and Prop and Set Designer Kim Granner, have since passed. These losses were profound for SCCT. Each creative brought a key component to crafting the magic of the show. Kim had a hand in every single prop or set piece and Jason’s talent brought the Fish to life. “Knowing that we had lost Jason and Kim, it was hard to say ‘yes’ to doing the show again, but I took it as an opportunity to light a candle for these brilliant artists,” says Amick.
Beyond the theatre’s great love and history with the production, audiences may wonder: can Dr. Seuss’s treasured illustrations, rhythm, and rhyme leap off the pages into reality? The answer is yes. With cartoon sound effects, magically appearing objects, pantomime, and sleight of hand, kids will be at the edge of their seats as they watch this beloved children’s book come to life.
Dr. Seuss’s The Cat in the Hat runs at South Carolina Children’s Theatre from March 4th – 13th with showtimes at 10:30 am, 2:00 pm, 4:30 pm, and 7:00 pm. Tickets are $20. Box office: 864-235-2885 or scchildrenstheatre.org
South Carolina Children’s Theatre’s beloved production of Dr. Seuss’s The Cat in the Hat is returning to the Bell MainStage March 4th – 13th! Join us as we bring the magical story to life! Dr. Seuss’s The Cat in the Hat leaps off the page with dynamic sets, onstage stunts and tricks, and a mischievous cat who turns a rainy day into a day full of adventure! Our production is recommended for children ages, K3-5th Grade.
For a fun sneak peek of what you can expect at the show, we sat down with SCCT’s Principal Teaching Artist, and star of The Cat in the Hat, Traysie Amick:
How long have you been playing the Cat?
I started playing the Cat in 1999 before I started working full time at South Carolina Children’s Theatre. I was asked by Debbie Bell to wear the Cat in the Hat costume in the lobby to entertain kids before shows. After that, I continued as the Cat in the Character Breakfast for 20 years! Last year, I was the Cat in Characters in Concert and will revive that role in the 2nd Annual Event, too. I also played the Cat in SCCT’s 2015 production!
How does SCCT bring this classic story to life?
Looking at the book, you might never know that it would be possible for the magic to come to life on stage! How will the Cat pull off stunts on stage? How will the fish character translate into reality? In SCCT’s 2015 production the then-artistic team (Betsy Bisson, Kim Granner, and Jef Lambin) figured out how to conceive the magic here at SCCT. Seven years later, the magical moments are cleaner and tighter. Hopefully, it will be even more of an adventure in 2022!
What will kids love most about Cat in the Hat?
Kids are going to love the cartoon sound effects, the objects flying across the stage, and the fact that things magically appear and disappear. With pantomime and sleight of hand, audiences will see all kinds of cool magical things happen, especially things you should never do in a house that everyone wants to do in the house!
Why is this a good show for young children?
I think The Cat in the Hat encourages a sense of play and openness to ideas. Oftentimes, people are uncomfortable with vulnerability and making mistakes. The Cat often makes a mess but then takes responsibility for its actions. There’s a wonderful power and freedom in letting loose, playing, tearing things up, and allowing the house to be a mess – just to see if you can put it back together again. Who knows? Maybe you find better places the next time!
What’s your favorite moment in the show?
As an actor, my favorite moment is my entrance. It has a “jump off the diving board” sensation. The show starts so tense, tight, and almost quiet. It’s like when you pull a toy car back and it gets tight and then you let it go and it just goes and goes and goes! It’s a rainy day and the kids are moping in front of the window with nothing to do. Cat enters and asks the kids, “Why do you sit there like that?” It’s a beautiful rainy day. Immediately, the first question says ‘don’t limit yourself, you have options.’ It’s a great way to approach life!
As a teacher, my favorite moment is when Cat tells Thing 1 and Thing 2 that they no longer can play. It feels like the end of acting class! Cat’s responsible side shines through at this moment and the very young will deeply empathize with this feeling of having to clean up and stop the fun.
Why is The Cat in the Hat a perfect introduction for young ones to get involved in theatre?
First of all, it is very well-timed! The show happens right before our summer camp session. If a child sees the show and says, “I want to do that!” then they have week after week of opportunity to start where they’re comfortable. We host a variety of themed summer camps that allow kids to find a theme that feels safe – maybe it’s Hogwarts or Sing Disney? Then they can edge into new classes and experiences beyond their comfort zone. Although a new experience may be overwhelming or challenging, kids will walk away feeling braver than they were before!
Don’t wait! Grab your tickets today!
Dr. Seuss’s The Cat in the Hat runs at South Carolina Children’s Theatre from March 4th – 13th with showtimes at 10:30 am, 2:00 pm, 4:30 pm, and 7:00 pm, Tickets are $20. Box office: 864-235-2885 or scchildrenstheatre.org. SCCT will require all patrons ages 2 and up to wear masks while indoors at any SCCT performance.
Artistic Director and Director, Matt Giles and Clare Ruble (playing Little John) join Megan Heidlberg and Damarcus Gaston on Your Carolina to talk about the upcoming production of Robin Hood.
It is the classic tale of good and bad and we are so lucky to have such talented kids here in the Upstate. We are talking about the South Carolina Children’s Theatre and their production of Robin Hood and we have some of the performers here with us today to tell us about the show.
Guest Fight Choreographer, Thomas Azar, brings life to a reimagined telling of Robin Hood
by: Margaret Butler
SCCT’s modern adaptation of Robin Hood features all of the classic characters that you know
and love and sets them right in our backyard: the Appalachian mountains. The themes of
adventure, bravery, honor, family, and justice matched with fast-paced wit, professional local actors, and riveting stage combat raise the bar for children’s theatre in the Upstate.
Thomas Azar brings the Stage Combat up a notch
Thomas Azar, a local Upstate actor, joins SCCT for his artistic debut with the company. With an MFA in Classical Acting at Shakespeare Theatre Company’s Academy for Classical Acting in Washington, DC, Azar is no stranger to combat. His resume is chock-full of experience in unarmed combat, single sword, rapier and dagger, broadsword, quarterstaff, knife, and whip.
Robin Hood’s combat ranges from traditional “good vs evil” fights to lighthearted one-upmanship skirmishes. To Azar, it’s less about highly technical moves and more about fitting into the world of the show. “The characters in this telling of Robin Hood may not have extensive fight training, so how can we reflect that in the choreography?” Instead of using highly precise attacks and parries, anger might come through repeated motions and back and forth jabs,” Azar says. The characters exude an air of “I don’t need formal training to whoop you.”
Safety in Combat
The first rule of combat is safety. Azar works with Artistic Director Matt Giles to ensure that
safety takes priority in rehearsals. Azar says “every fight needs to be repeatable 8 times per
week. Actors need to know the moves and feel them in their body.” During combat, the fighters communicate through eye contact to ensure that each participant is ready and feels safe. “There is a line between ensuring safety and telling a convincing story. Walking that line for fight direction is where the artistry comes in.”
To make a fight “absolutely safe and totally gripping for the audience takes time.”
From the conceptualization to rehearsal time, choreographing each fight takes upward of 12-15 hours. “Each character has a different skill level and repertoire of moves. The choreography needs to reflect this.” In rehearsals, Azar worked closely with the cast of Robin Hood to develop genuine moments to define each character and relationship. Azar’s collaboration with the cast gives the actors ownership of their movements and helps the story come alive. “When actors suggest something that works, I exclaim, ‘Yes, of course – I love it.’ It puts a big smile on my face when actors help complete the puzzle.”
Professional from the Word ‘Go’
Before stepping in the building, Azar was already impressed with SCCT’s strong reputation for safety, especially during the COVID-19 pandemic. Azar commends SCCT for “meeting the bar of professional theatre and far exceeding it in all aspects.”
Robin Hood runs at South Carolina Children’s Theatre from January 28th – February 6th with show times at 10:30 am, 2:00 pm, 4:30 pm, and 7:00 pm, Tickets are $20. Box office: 864-235-2885 or scchildrenstheatre.org/robinhood
The mission of South Carolina Children's Theatre is to educate and stimulate the minds and imaginations of young people and their families through participation in high-quality theatre, year-round education, and accessible outreach.
Established in 1987, SCCT is the largest year-round children's theatre in the state of South Carolina. We are very fortunate that we earn 64% of our budget. For the remaining 36%, we turn to you for support.